Every season at the beginning of fashion week, Pantone releases its predictions of what 10 shades will be the most popular on the runways. The feeling for spring? Practical colors, particularly nautical-inspired blues, and Pop Art-inspired shades, such as pale lemon and chartreuse green, are going to be big news. Here’s the full spectrum for spring 2013…
Taking Tangerine Tango‘s place as the “It” color of the season is Monaco Blue, which the Pantone Color Institutes’’s executive director, Leatrice Eiseman, touted for its picturesque-meets-practical qualities in an interview with WWD. “There is sort of a stop-the-world-I-want-to-get-off feeling. People want dependably stable colors,” Eiseman said.
Which of these spring 2013 hues do you hope to see become a big color trend on the runways this week? Which one would you be most likely to wear?
Last night, Israel became the first country ever to pass legislation banning the use of “underweight” models in local ads and publications. The new law employs an interesting tactic: Models must prove that their Body Mass Index (BMI) is higher than the World Health Organization’s indication of malnourishment (a BMI of 18.5) by producing an up-to-date medical report — no older than three months — at all shoots to be used in the Israeli market. Meanwhile, all Israeli publications and advertisements must have a clearly written notice when they alter images to make women and men appear thinner. The law won’t apply to foreign publications that are sold in Israel.
Although some governments have taken steps to crack down on the use of inappropriate beauty standards (for example, the U.K.’s Advertising Standards Authority bans ads willy-nilly for showing models they deem too young or too Photoshopped), this is the first law with defined weight standards. Most other countries just rely on the industry to regulate itself — see the CFDA’s model health guidelines, or Madrid Fashion Week’s 2008 ban on models with a BMI below 18. Of course, it makes sense that a country with a relatively tiny fashion industry would try this first; it’ll be interesting to see if other countries with more money at stake will follow suit. The Telegraph reports that there are only about 300 professional models in Israel and just a few who work abroad, so the regulations will hardly have a widespread impact.
The law comes just a few weeks after the London School of Economics published a groundbreaking study that concluded that governments should censor images of overly skinny models since people are overwhelmingly influenced by beauty standards depicted in advertising. However, there are critics: Some detractors have (correctly) pointed out that some perfectly well-nourished people fall naturally below the 18.5 BMI number. Reports the Telegraph:
Top Israeli model Adi Neumman said she wouldn’t pass under the new rules, because her BMI was 18.3. Neumman said she ate well and exercised.
“Force actual tests. Make girls go to a doctor. Get a system to follow girls who are found to be puking,” said Neumman.
Unfortunately, it’ll be hard to measure the effects of the law, since so much of Israel’s media comes from international sources that will remain unregulated. As of now, about 2 percent of Israeli girls between ages 14 and 18 have severe eating disorders (and goodness knows how many other ones with run-of-the mill disordered eating), which is about on par with other developed countries. Although this law may have its limitations, bravo to Israel’s government for attempting to curb a tragic and deeply disturbing epidemic.
Between the drums on the sound track and the Forbidden City doors that opened the runway, there was no denying Jason Wu’s fall theme– Asia.
“An Asian person doing an Asian collection. It’s a revolution,” Wu jokes at a preview the day before his show, noting that he did not decide to go there thematically because — news flash — China is booming. “It’s been booming for a long time,” said the designer, who lived in Taiwan until age nine and went back a year ago for the first time since starting his business.
To tackle Asia, Wu broke his heritage into three parts — Mao military, Qing dynasty and the Forties Hollywood glamour of “Shanghai Express”
When asked if this was his most elaborate collection to date, Wu replied, “It’s my most luxurious.”
Working on his Target collection, in stores now, gave him a new respect for what he considers true luxury. So he pushed himself with the fit, the tailoring and the little things. Details, like the sheared mink worked into embroideries, the technical, thermal lining in the jackets and the brocade detail under the toe of a peep-toe pump, were impossible to appreciate as models flew by.

A dark concrete set with a sculptural brazier lighting up a row of flames is the perfect evocative backdrop for the collection. Owens’ fashion embodies an almost monastic rigour and the fetish touch added by the use of knitted masks slightly concealing the face of the models does not divert the attention from the sensual luxury of the materials, the masterful tailoring and the elegant purity of his style
Colours:
an endless array of greys: asphalt, steel, charcoal, bone, dust, stone, iron. Black and white. Blush, orange-pink, off-white
Shapes:
Floor-skimming coats teamed with streamlined garments or draped tops and long skirts. Leather coats with broad asymmetric crater-shaped collars. Sheepskin cropped blousons with statement curved shoulders matched with long draped jersey skirts. Dome-shaped patchwork leather jackets and coats with elbow-length sleeves. Coats with sleeves reminiscent of the shape of a dolmen
Fabrics:
wool felt, mohair, casentino wool, wool jersey, knitwear, napa leather, mink
Accessories:
thigh-high creased leather and crocodile boots with wedge heel, crocodile biker boots













via Vogue.it

A dark concrete set with a sculptural brazier lighting up a row of flames is the perfect evocative backdrop for the collection. Owens’ fashion embodies an almost monastic rigour and the fetish touch added by the use of knitted masks slightly concealing the face of the models does not divert the attention from the sensual luxury of the materials, the masterful tailoring and the elegant purity of his style
Colours:
an endless array of greys: asphalt, steel, charcoal, bone, dust, stone, iron. Black and white. Blush, orange-pink, off-white
Shapes:
Floor-skimming coats teamed with streamlined garments or draped tops and long skirts. Leather coats with broad asymmetric crater-shaped collars. Sheepskin cropped blousons with statement curved shoulders matched with long draped jersey skirts. Dome-shaped patchwork leather jackets and coats with elbow-length sleeves. Coats with sleeves reminiscent of the shape of a dolmen
Fabrics:
wool felt, mohair, casentino wool, wool jersey, knitwear, napa leather, mink
Accessories:
thigh-high creased leather and crocodile boots with wedge heel, crocodile biker boots













via Vogue.it
Anna Miminoshvili, she’s new to me and I like her.
Anna used only natural fabrics (cotton, silk, fine wool) in her Spring/Summer 2011 collect in shades of pastel pink, light green, gray and pearl tones and spiced it up with geometric layered designs. The hair is too just cute
.
Designer Kunihiko Morinaga is quite the experimenter. Its not abnormal to see distinctive elements fused together to create something new, like blousy shorts and distinctive dresses with colorful knits. But sometimes you have to pull back on the creativity.
For this years Tokyo show Kunihiko used plastic inflatables to create angel wings and distort the torsos or backsides of his models. Definitely an umm.. interesting collection.
Do I like this? NO. But hey, maybe the neckless disfigured bloated linebacker look is in next season….I sincerely hope not. Judge for yourself, photos are below
via WWD * Photo by Yukie Kasuga
An oriental explosion of shiny fabrics, animal prints, fringing, and sheer materials. Watch the Full Spring Summer 2011 Fashion Show below
For her show at London Fashion Week, Westwood presented a collection of autumn and winter outfits that were punk/ new age inspired. Then, right after the show, she made a statement to reporters that could directly contradict the general idea of why designers design– she hopes people stop buying her clothes. “Stop all this consumerism. I just tell people, ‘stop buying clothes.’ Why not protect this gift of life while we have it? I don’t take the attitude that destruction is inevitable. Some of us would like to stop that and help people survive. We have to pressure government — there is a chance to save ourselves and we have to take it.”
The designer is digging deeper and looking to try new challenges, including a television series on art and science. She is already making moves toward a new direction.
Follow my blog with bloglovin
Source: London AP